Loudly's Vision for Democratizing Creation; Hannah Diamond Has Cracked the Code of Using AI for Music
#53 | Your Weekly Dose of AI Music News
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Generative AI Is Revolutionizing Music: Loudly's Vision For Democratizing Creation
For me, one of the most exciting aspects of the recent wave of generative AI technology is the democratizing impact it has on creativity. We’ve seen how anyone can use tools like ChatGPT or Midjourney to express their ideas with words or pictures. And the way we create and listen to music is about to be turned on its head, too.
Hannah Diamond Has Cracked the Code of Using AI for Music
For hyperpop artist Hannah Diamond, generative AI isn’t a threat. It’s another tool in her arsenal—and one that could lower the barriers for emerging musicians.
OmMuse Is An All-Inclusive Hub Of Artist Tools
Most artists end up juggling various platforms and multiple ‘dashboards’ during the production, distribution, and promotion of their music. Now, OmMuse is working to consolidate everything an artist needs into a central repository — the OmMuse Hub.
Tech start-up RoEx unveils AI-powered music mixing tool Automix
Tech start-up RoEx has launched Automix, a tool that brings AI-powered mixing to music production. RoEx has its roots in academia, born out of a PhD project at the intersection of music and machine learning, with Queen Mary University of London. The start-up aims to democratise music creation.
Artists across industries are strategizing together around AI concerns
As creative industries grapple with AI’s explosion into every artistic medium at once, separate calls from artists warning the world to take action before it’s too late are starting to converge. From fake Drake songs to stylized Instagram profile pictures, art conjured with newly sophisticated AI tools is suddenly ubiquitous — and so are conversations about how to rein in the technology before it does irrevocable harm to creative communities.
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Ringo Starr Gives Update on the Beatles Song Using AI Technology: "It Should've Been out Already"
Mac DeMarco: “I like to respect the way that recordings come to be”
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